emic

RDH: MAY 2023

02/05/23

First day…

Make time for practice.

03/05/23

04/05/23

…the drive to help.

Late Night Art Belfast. The first in a long time.

07/05/23

Boy Soldier” - finished.

Two new little pieces started this afternoon too!

09/05/23

New EMIC piece in Belfast City Centre

13/05/23

Sent feelers out…

14/05/23

Need to tread carefully with this one.

19/05/23

Supplies!

20/05/23

A good tidy up of the studio.

21/05/23

Studio time.

Going somewhere and then damn near destroyed ‘Mugshot’ piece. Taking some time and stepping back helped save the day.

Looking is still working.

Brought it back. Relying too heavily on the charcoal mark can sometimes lead to images turning into a caricature of itself. Pared back the drawing line - focussed on the tones and limited palette that don’t stray too far from each other. Much more successful as a whole now. Bit more to go but good otherwise.

25/05/23

Luc Tuymans - surgical precision. All working out is done beforehand - composition, colours, size, materials all planned in advance so that intelligence goes from the brain (in the preparation stages) to the hand (in the making). I don’t know if that would work for me. That split second spontaneity - yes it can go wrong and often does - is needed for play with materials. Having a regimented script when painting would not work for me.

Need to catch a grip. Too easily distracted by shiny things.

27/05/23

Egon Schiele: Dangerous Desires on Iplayer.

28/05/23

Studio.

“What fascinates you about that bastard?”

Definitely evokes a response. Is it worth it to get response based on the sources for the work rather than the work itself? A pickle. It’s not a glorification of a person’s actions. It is a study, an investigation of a portrait of evil. Aesthetic response to traumatic event.

Ethics vs Aesthetics.

In the end, I’m never speaking or working for anyone but myself.

Wee bit of progress on little prayer canvas. Could the two be companion pieces?

31/05/23

Dublin bound.

RHA show - an art overload but in the best way!

Quick stop in Temple Bar and glad I saw performance for Fanny Gicquel’s show “breathing with heels, walking with eyes”. Also popped into Project Art Centre to catch “Got Damp / Púscadh Anuas” by Avril Corroon.

RDH: 01/12/18 - 31/12/18

01/12/18

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Blocked out “Bereft Clown”.

02/12/18

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Found an ogham poster on North Street with an interesting translation.

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Vault studios is amazing - especially EMIC’s studio space!

04/12/18

…text to coincide with next solo show…

08/12/18

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Studio work today. Thought I was close to finishing ‘confessional’ but it might be further away than I imagined.

09/12/18

“You make a mistake when you explain the paintings through the war.”

Mark Stevens - on Bacon’s “Three Studies for Figures at the Base of a Crucifixion”

Several shooting stars.

15/12/18

Probably the most difficult thing I’ve ever had to do. Childhood hero reduced. It's a real jolt to the system.

Trauma doesn’t discriminate. It’s so subjective that it can defy explanation or description. Nightmarish.

16/12/18

Materials courtesy of the University of Atypical’s iDA award arrived to the studio today.

Materials courtesy of the University of Atypical’s iDA award arrived to the studio today.

Need to learn to keep some things to yourself.

See it through. Stay strong and keep head up.

17/12/18

Panic attack today.

21/12/18

You never fully appreciate someone until its too late. A true legend that has shaped so many. Time with family is so important.

Resolutions < Revolutions

22/12/18

Moon-rise over Glenshane.

Moon-rise over Glenshane.

Thought I had a good night’s sleep but my body is telling me different. Need to draw more again.

26/12/18

Getting lost in thought about art is a joy. It’s like taking a mini vacation.

27/12/18

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Some sketchbook work. Not much but it’s a start.

Look more before putting pen to paper. This is not to say to lose the immediacy during the act of drawing but to take a breath to absorb and examine what an image has to offer.

29/12/18

Finished “Confessional”. Maybe when the mind is distracted slightly it makes studio work more of an automated response? Decisions were made and action was taken.

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Not saying having a completely distracted head-space works. Far from it. I’ve been there plenty of times and it’s disastrous. No. It’s more a case of - you’re in the studio and you have a clear(ish) idea of where the work will go so you follow that. The decision making dilemma is lessened due to the preoccupation of other matters going on upstairs.

30/12/18

A bit of work done to “Bereft Clown before clearing the palette and studio up for another year.

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