vault studios
RDH: MAY 2024
02/05/24
Late Night Art Belfast
A busy busy night!
05/05/24
Added crow / plague mask to soldier’s face. Not sure where, if anywhere, it’s going to go. Ran it’s course perhaps? Palette cleansed.
…action painting?
08/05/24
“Gallery Visit” showing in ArtFest 3!
Just because you can do something doesn’t mean you should.
09/05/24
Would be good to start thinking about plan…
10/05/24
12/05/24
Drawings to acetate. Cuprinol spillage - use to benefit? Bleached out wartime work - it reached the end. So, today in the studio - rather than painting… worked on drawing up new canvases. NB: Paint needed through the week.
Three works started - went for a dander in a thundery downpour holding a couple of the new canvases over my head. Letting the heavy raindrops move the unfixed charcoal. Funny, the momento mori could have done with a few more and the ‘Tesla’ a little less. HINDSIGHT!
12/05/24
Hold the family close. Bus decompress time.
18/05/24
19/05/24
20/05/24
If you’re going to do something, do it right!
26/05/24
“Week in Art” Mona Lisa interview really interesting. “The living earth”.
“Talk Art” Shaqúelle Whyte.
Solid progress. No titles as yet - Hindsight? Could work for all three really.
29/05/24
Dublin.
It’s always sunny in Dublin.
2023 in Pictures
JANUARY
FEBRUARY
MARCH
APRIL
MAY
JUNE
JULY
AUGUST
SEPTEMBER
OCTOBER
NOVEMBER
DECEMBER
RDH: NOVEMBER 2023
01/11/23
02/11/23
Late Night Art Belfast - another cracker!
Cameron Clarke’s exhibition in DAS, probably one of the best installations I’ve seen in a long time. The perfect week for it - ending the spooky season with a bang.
05/11/23
Studio - setting aside the two large works for now and going to focus on the two portraits in progress.
It was all going so well until… working on ‘Indifferent Study’ and thought I would be productive in between waiting on a thin layer of paint to set. Began chopping some firelighters for later and…... BAD IDEA! Took a decent chunk out of side of a finger. Just when I was getting into a rhythm! It will heal but my favourite pen won’t. It died this evening too. Doesn’t bad things come in threes?
11/11/23
Short Studio Session. ‘Indifferent Study’ = Hair OK, surprisingly. Eyes / mouth needs tweaked. Skin Tone: slight contrast needed between light and shade.
FINISHED!
See, little checklists of what to focus on before lifting a brush work!
14/11/23
16/11/23
BVAF: re-energised and eager to take pro-active steps in art community in city.
19/11/23
S.S.S.
‘Amy Study’: Background - dimmed / dulled - green gold + payne’s grey? Need to get a grip - FOCUS / PRIORITISE / WORK!
…was not expecting to finish this portrait today. Creating little checklists in between layers really does help to critically evaluate the work as it goes - pushes for focus.
Getting to the point where I feel an outlet is needed. What’s holding me back…
Cogs are a turning…
Keening
I have a secret - I listen to Radio 3 to drift off.
21/11/23
23/11/23
The streets are arteries.
Pope L. - advice to the young…
Stuck on a canvas for months. Tutor at the time saw him struggling and said:
“WRITE ON IT!”
Exorcise your thoughts and things will stem from it.
26/11/23
29/11/23
Come rain, hail or shine (but more than likely frost) … solid brainstorming session.
The hmming and writing is all well and good but if you’re actively not doing anything - then it’s just noise.
30/11/23
Weird lights in the sky over Glenshane. Six evenly spaced lights in a diagonal - no sound.
DEBUNKED! Mystery solved, Musk’s star link.
RDH: OCTOBER 2023
01/10/23
Three white rabbits.
Studio: ‘Passive Study’ going well - bouncing between the brush and the drawing mark. It’s always interesting to see which of the two (if any at all) comes to the fore.
“A Brush With… Sarah Lucas”
‘A Séance in London’ - slowly building layers but, more importantly, working through structure and composition. Very early days.
03/10/23
Anxiety overload!
05/10/23
WOW! Can’t remember a late night art quite like this one in a very long time. Belfast was buzzing!
09/10/23
Put the bloody phone DOWN!
11/10/23
12/10/23
Easy to say, but difficult to implement.
15/10/23
Studio - A.H. portrait study: A good start. There was one point where the charcoal became a little too much but thankfully it wasn’t difficult to rectify. Just before adding the last layer of charcoal, all the previous drawing marks were pushed back with just the paint taking the stage. Some nice areas of tonal quality but overall the image was flat. You would think that adding a charcoal line would make it even more flat in appearance but the opposite is the case! The crux of it - that interplay between the drawing line and the painting mark.
17/10/23
Second straight day of jury service but on the flip side, a good chance to see Kwok Tsui’s new exhibition in the CCA.
18/10/23
QSS - ‘Messy Business’. Great group painting show.
21/10/23
…worth sticking foot in the door.
22/10/23
Studio time. A long session but very little to show for it. Slow progress on all fronts. Perhaps working on multiple pieces (four canvases) is biting a little more off than I can chew?
Setting a couple of pieces off to the side for a while should make it more manageable. It probably hasn’t helped that the palette is in a poor state and needs cleaned badly. Not a complete loss of a day but it could’ve been a lot more fruitful. Several factors at play but, lesson learned.
Palette given a good scrub before finishing up.
25/10/23
Dublin - too dark to write on the bus down - too dark to write on the bus home. The Autumn evenings are here.
Atoosa Pour Hosseini’s ‘The Magic Circle’ in Temple Bar Gallery + Studios is excellent. Remnants of vintage horror films in the video piece.
RDH: JANUARY 2019
01/01/19
“I think of drawing as a way of getting information and really learning to understand imagery.” - Cecily Brown
Anna Bjerger has a corner filled with ten years of old books / magazines. There’s usually nothing new but it’s about looking at imagery time and again to see if anything jumps out.
OLD IMAGERY RECEIVING NEW CONTEXT.
You need to have a genuine feeling for an image.
02/01/19
Two large canvases. Diptych idea?
03/01/19
05/01/19
Nothing done is also nothing ruined.
06/01/19
10/01/19
If it is to be it will come again.
London is happening in April. Can’t wait!
11/01/19
Idea for a painting: “The To and Fro of Indecision”.
12/01/19
If you look a little longer you will see things that have always been there but not in the same context as before. I’ve started looking a little closer at drawings that have been transferred onto acetate and pairing them off with others that I normally wouldn’t have previously.
13/01/19
“Organised Forgetting”
Paint went well today - generally just blocking so it’s not too tasking. Colours - light v dark. Which elements of the image come to the fore and what fights to be heard.
15/01/19
Meaningless vote.
Chris Ofili’s “No Woman No Cry” - canvas rested on 2 heaps of elephant dung covered in a transparent resin.
Sculpture ideas - photos stacked like a house of cards. On panels?
Pyramid.
17/01/19
Trip to Newtownards and Belfast today.
19/01/19
20/01/19
Really struggling to get motivated.
The act of drawing has stagnated. If you cut off the source how do you expect the river to flow?
Even working on other imagery (drawings) when painting something else is bound to have positive repercussions?
27/01/19
Took a while to get going. Not really focusing on one task but I think that’s good sometimes.
28/01/19
Been thinking a lot about potential sculptural ideas recently. Give it a whirl?
29/01/19
30/01/19
“Shooting the Darkness” documentary on RTÉ was fascinating insight from photojournalists who were front line witnesses to some of the most horrific atrocities during the Troubles.
RDH: 01/12/18 - 31/12/18
01/12/18
Blocked out “Bereft Clown”.
02/12/18
Found an ogham poster on North Street with an interesting translation.
Vault studios is amazing - especially EMIC’s studio space!
04/12/18
…text to coincide with next solo show…
08/12/18
Studio work today. Thought I was close to finishing ‘confessional’ but it might be further away than I imagined.
09/12/18
“You make a mistake when you explain the paintings through the war.”
Mark Stevens - on Bacon’s “Three Studies for Figures at the Base of a Crucifixion”
Several shooting stars.
15/12/18
Probably the most difficult thing I’ve ever had to do. Childhood hero reduced. It's a real jolt to the system.
Trauma doesn’t discriminate. It’s so subjective that it can defy explanation or description. Nightmarish.
16/12/18
Need to learn to keep some things to yourself.
See it through. Stay strong and keep head up.
17/12/18
Panic attack today.
21/12/18
You never fully appreciate someone until its too late. A true legend that has shaped so many. Time with family is so important.
Resolutions < Revolutions
22/12/18
Thought I had a good night’s sleep but my body is telling me different. Need to draw more again.
26/12/18
Getting lost in thought about art is a joy. It’s like taking a mini vacation.
27/12/18
Some sketchbook work. Not much but it’s a start.
Look more before putting pen to paper. This is not to say to lose the immediacy during the act of drawing but to take a breath to absorb and examine what an image has to offer.
29/12/18
Finished “Confessional”. Maybe when the mind is distracted slightly it makes studio work more of an automated response? Decisions were made and action was taken.
Not saying having a completely distracted head-space works. Far from it. I’ve been there plenty of times and it’s disastrous. No. It’s more a case of - you’re in the studio and you have a clear(ish) idea of where the work will go so you follow that. The decision making dilemma is lessened due to the preoccupation of other matters going on upstairs.
30/12/18
A bit of work done to “Bereft Clown before clearing the palette and studio up for another year.