void derry

RDH: NOVEMBER 2024

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01/11/24

Pretty sure this is Dad in the Vectra circa 2000.

02/11/24

H, F & M.

…taking a back seat.

04/11/24

Escalation

05/11/24

Late night home.

06/11/24

The fun never stops!

07/11/24

Collected. No late night art for me this month. Exhaustion has taken over.

08/11/24

Proposal started. Excited to stretch and prime canvas tomorrow! Nerd Alert!

In the chaos of the past few weeks, I forgot to note that I’ve had a lovely delivery of a 10m roll of canvas and primer.

09/11/24

Didn’t realise I had so much primer! Two canvases, stretched and primed with one coat (plus one bloodied thumb).

Sketchbook time - this definitely needs time allotted to…

… came back to finish off the two drawings started earlier on. It can be done - just needs some discipline and manoeuvring.

10/11/24

‘Natural Alignments’

GET OUT THERE!

***Updating from loss and eventual return of diary***

12/11/24

MAC Show - beautiful and just a joy to immerse yoursself in. Wonderful homage.

Weird seeing D.M.’s paintings again after so long. Remember getting my graduation photos from NWRC in front of them.

17/11/24

Can’t believe I’ve lost track of RD. First time ever in fourteen plus years and quite annoyed at myself.

ADAPT - MOVE ON - WORK

Primed canvases with second coat. In terms of C’s submission, materials gathering and experimentation ongoing.

18/11/24

Dublin - Day 1. Lights out in middle of set up.

19/11/24

GTG a great success. Good night had by all.

20/11/24

Dublin Day 3. Brian Maguire in the Hugh Lane. Glorious large scale works and great to see some old favourites I first saw in VOID a few years ago.

Douglas Hyde Gallery - ‘LAND’ group show. Beautiful video work from Pinar Öğrenci in situ - videos on display will change to change throughout the run. Tried to get into another space - was not allowed with suitcase in tow.

Lastly the LAB before the bus home. Vanessa Daws’ show inspired by endurance swimming pioneer Mercedes Gleitze. Great show but still filled me with anxiety looking at open water.

Home … and finished submission.

21/11/24

Reunited with diary!

24/11/24

Studio - started commission. Beginning to incorporate moss into c.m.s piece - painting into the final layer of primer. Waiting game.

More progress on ‘L.Y.s.V’.

Love was spread a little in the studio today - bits and pieces worked on in different areas. Covering all the bases.

27/11/24

Dublin again!

28/11/24

2023 in Pictures

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JANUARY

FEBRUARY

MARCH

APRIL

MAY

JUNE

JULY

AUGUST

SEPTEMBER

OCTOBER

NOVEMBER

DECEMBER

RDH: SEPTEMBER 2023

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05/09/23

06/09/23

Crow in flight. Morrigán. Could see the stabbed brush marks of the wings when watching it in flight. Weird. Aren’t we all?

Time needs to be set aside for practice. Shia LaBeouf.

Sounds like an excuse but a certain letter has thrown a real spanner in the works.

NB: Forgot to jot down that ‘Red Lines’ has been accepted into this years’ Royale Arcade Academy show at Arcade Studios.

07/09/23

LATE NIGHT ART - Belfast

Some very late-night sketching.

09/09/23

Setting your stall.

10/09/23

Art Wank Podcast with Array - listening during studio time.

“Painting is a place to hide thoughts, hide feelings, hide emotions.”

- Stephen Millar

The Arts are not singular. Arts as a united force for good. Collaboration.

You can’t eat prestige (or a flag).

‘Ready to Go’ blocked out. Not sure if it’s a damp squib but I think it’s worth another shot.

‘Marina’ - content with background. Loose is good. So bloody close.

13/09/23

H.B.S.

After a bit of mulling - the ‘Ready to Go’ canvas is anything but. I have forgotten the first rule:

IF IT DOESN’T EXCITE YOU THEN THERE’S SOMETHING WRONG

It is not and it is also an image that, if it’s going to work, will need another image merged to elevate it.

It is a solid image, and it has a resonance with me personally but it’s just not doing it for me, for the want of a better phrase.

Handed in ‘Red Lines’ to Arcade. Stopped by the MAC to see ‘No History in a Room filled with People wih Funny Names 5’ by Korakrit Arunanondchai and Alex Gvojic with Tosh Basco. An extremely immersive experience.

Abhartach - the Irish Vampire.

Black / Peaty Soil. Roots become negative space. Possible triptych?

14/09/23

Abhartach - source material…

This will be for down the line. Even the little portrait alongside ‘Ready to Go’ on acetate has more promise and, more importantly, has my head spinning!

Back of the bus, it’s been a long time.

Can see where… might have an advantage. More time. Been reading “The World New Made - Figurative Painting in the 20th Century” by Timothy Hyman.

“I was alone in my studio in front of my oil lamp. Two or three in the morning… Dawn is breaking… I used to sit up like that all night long. My lamp burned, and I with it.”

- Marc Chagall c.1920

Henri Rousseau = recovered a primal truth in painting.

17/09/23

Short Sunday Sessions.

“Marina” finished! But only just. A little over indulgent with the fixative meant some emergency fixing (irony) was needed.

If I had my wits about me I should’ve drawn up a new canvas in the 45 minutes spare. Hindsight.

“Look to Henri Rousseau as examplar for a renewal of figural language reborn in the image of childhood.”

- Timothy Hyman

18/09/23

20 week scan. All well! Surreal.

Also, on the way to Causeway - a lovely note, Warm, fuzzy feeling.

21/09/23

Chloe Austin’s “Living But A Day” in PS2

22/09/23

Breaking the Cultural Code - Tenth Anniversary of Derry’s UK City of Culture.


“Culture is everyday lived experience.”

- Sir Phil Redmond

Culture Night Derry

Banu Cennetoğlu at VOID Gallery, Derry

24/09/23

Studio time. There was a temptation to rework ‘Ready to Go’ for a minute. Had to remind myself that structurally it’s interesting but it doesn’t excite me to see where it can go.

“A Brush with… Claudette Johnson”

A really promising start to three canvases today.

25/09/23 & 26/09/23

BP high. Ordered to Antrim A&E. Arrived at 7pm - didn’t get seen until 10am on Tuesday. Tests to be done and rest needed. Poor timing.

28/09/23

…day in court.

29/09/23

VAI Get Together 2023 - Online day.

Imogen Stidworthy - How We Work.

Lindsey Mendick talk was great!

30/09/23

Be better at channeling time and effort into productive means.

We’re all a work in progress.

RDH: NOVEMBER 2021

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03/11/21

Some good sketchbook work today.

04/11/21

National Common Sense Day. “Portrait of NI: Neither an elegy nor a manifesto” in the Golden Thread Gallery. Interesting layout, gathering work of a similar ilk throughout the decades together.

Anne Tallentire’s “But this material…” in the MAC; great use of spatial interaction with the work and the gallery space. Some really strong work in “The presence of Absence” exhibition from the MFA 2019 cohort group show in QSS.

Really enjoyed the opening of the “Salonathon Show 2021” in Platform - seeing my work alongside some great artists and meeting up with familiar faces!

05/11/21

Wincing the odd time.

06/11/21

“Portraiture exposes the gap between the interior and exterior selves.”

-unknown-

Priming is all today amounted to.

08/11/21

Didn’t realise the gravity…

11/11/21

What was thought to be a dud - must have turned out alright!

12/11/21

Several pieces sketched up today.

13/11/21

Detail of “The Doctor will See you Now”

Really good day in the studio. “The Doctor will see you Now” finished! This new philosophy of keeping it loose, not striving for a realistic perfection, which is ultimately unattainable anyway, seems to be working.

I have a tendency of focussing on niggles to the point when the paintings get tight and the imagery too self aware. Learning to let go and step back a stage or two sooner seems to work for me.

“The Doctor will See you Now” Oil and Charcoal on Canvas 150cm x 100cm

16/11/21

Didn’t get accepted but that’s OK. Sketchbook work tonight to get brain working.

17/11/21

Very quick trip up to Derry to see “Tilt [At Windmills]” with work by Jarkko Räsänen, Fionnuala Doran, Paul Moore and Robin Price in CCA and “The Shrinking Universe” by Eva Rothschild in VOID.

20/11/21

Blocking in and working out logistics on three pieces today.

29/11/21

Nervous but that’s pretty much down to the unknown factor.

RDH: AUGUST 2021

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02/08/21

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Cover of Geraldine O’Kane’s ‘Unsafe’ has dropped. It looks great!

03/08/21

Finally finished sketches from last week.

10/08/21

Very very hectic at the minute.

11/08/21

Night Sky

Night Sky

18/08/21

Still pinching myself. The perfect day. Married my best friend surrounded by nearest and dearest.

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22/08/21

cock-and-bull.jpg

26/08/21

Didn’t get … art award. Very positive feedback in email though.

28/08/21

First day back in the studio in over a month. Not much occurring but still good to get the overalls on and paint out.

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Detail work on ‘Life is But a Dream’.

29/08/21

Dusting off the cobwebs.

Finished ‘L.i.B.a.D’. Kept it a little looser than usual and more on the raw side. Better that than over painted.

30/08/21

Sketchbook work tonight.

31/08/21

Never far from thoughts. Doesn’t feel like thirteen years.

VAI Café: Introducing Derry with talks from UV Arts, Void Gallery and CCA Derry.

Power will be off tomorrow so perfect opportunity to catch up on reading and writing.

Exhibition Highlights: 2020

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Usually at this time of year I do a run down of my favourite shows I’ve been to the past 12 months. It will be a short list this time around so I also want to include some exhibitions that I couldn’t get to see but wish I had.

The Shows I’ve Seen…

“The Dark” - CCA Derry/Londonderry

Darren Banks, Liz Collini, Sinead McKeever and Agnes Meyer-Brandis

From the CCA website: The Dark presents a constellation of new and existing works by artists from Northern Ireland, England and Germany. The artists look out into space, back at Earth and consider science fiction, fact and artist projections.

This group show was my first look at Liz Collini’s work first hand, making you slow way down when reading the intricate architectural scaffolding around the text. Sinead McKeever’s globe with continents of charcoal eroding away speaks of climate change but also of other threats.

“A False Dawn” - Ulster Museum, Belfast

Ursula Burke

Mural installation by Ursula Burke in the Ulster Museum, Belfast

Mural installation by Ursula Burke in the Ulster Museum, Belfast

From the Ulster Museum website: A False Dawn is the culmination of Ursula’s recent work. Much of her art practice deals with issues of representation and identity, exploring abuses of power in both social and political sphere.

This exhibition taking up the two large rooms on the fifth floor of the Ulster Museum holds the space impressively with the aid of the ambient lighting. From a distance the busts are classical in nature but look a little closer there are signs of trauma and violence.

“Put It To The People” - Golden Thread Gallery, Belfast

Joy Gerrard

Gallery one of Joy Gerrard’s “Put It To The People” exhibition in the Golden Thread Gallery, Belfast

Gallery one of Joy Gerrard’s “Put It To The People” exhibition in the Golden Thread Gallery, Belfast

From the Golden Thread Gallery website: Gerrard’s most recent work documents the huge protests against Brexit in London between 2018 and 2019. Here, her monochrome palette comes to invoke the binary oppositions of contemporary British politics, its elemental simplicity belying a more complex meditation on the imaging of protest.

I have admired Joy Gerrard’s work for some time and to see them up close was a feast for the eyes. The small works, which I’ve seen similar before, are delicate in their application but it was the transition to the larger scale works that took my breath away. The imagery still has the immediacy of the smaller works but it was the gestural mark-making on the larger works that brought the crowds in the protests to life.

Photo by Simon Mills

Photo by Simon Mills

From the FE McWilliam Gallery Website: Penumbra brings together artists who are connected by their gender, their associations with the island of Ireland and their commitment to testing the limits of painting.

A painting exhibition with artists of this calibre should have been right up there on shows to get to this year. Sadly it wasn’t to be. No two artists in the show are alike and that shows the dexterity and the medium of painting still has in the right hands. Susan Connolly’s installations always push what defines a painting and I would have loved to have seen Sarah Dwyer’s paintings first hand.

“Echoes are Always Muted“ - VOID Gallery, Derry/Londonderry

Alan Phelan

Installation shot of “Echoes are Always Muted” by Alan Phelan in the VOID Gallery, Derry/Londonderry

Installation shot of “Echoes are Always Muted” by Alan Phelan in the VOID Gallery, Derry/Londonderry

From the VOID Gallery website: Alan Phelan’s exhibition echoes are always more muted is part of an expanded series of exhibitions that encompass his continuing research into the intersections of history, sexuality, material culture and politics which have evolved through sculpture, participatory events, and photography.

Alan Phelan’s multidisciplinary practice has explored the Joly photographic process for some time and this show seems to have included augmented reality that seems really engaging. This exhibition looks as though it was a colourful exploration of historical elements with the usual injection of humour and I’m sorry to have missed it.

“Obedience and Defiance” - IMMA, Dublin

Paula Rego

Installation view - “Obedience and Defiance” Paula Rego - IMMA, Dublin

Installation view - “Obedience and Defiance” Paula Rego - IMMA, Dublin

From the IMMA website: Obedience and Defiance is a major retrospective by one of the most influential figurative artists of our time Paula Rego. Spanning Rego’s entire career from the 1960s, comprising more than 80 works, including paintings never seen before and works on paper from the artist’s family and close friends.

Rego needs to introduction as she is probably one of the most influential artists working today so to get to see a large retrospective like this on the island of Ireland has to be a not-to-be-missed event. Thankfully it is running until May 2021 so all being well I will get down to see the works in the flesh.

Exhibition Highlights 2018

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These five exhibitions are in chronological order and are only my favourites of the shows I was able to attend in person. There were many that I was dying to see but in the end, couldn’t make.

WHITE

Curated by Colin Darke

QSS Gallery, Belfast

02/02/18 - 22/02/18

This was the fourth group show curated by Colin Darke that was based upon the four titles of Barnett Newman paintings (“Whose Afraid of Red, Yellow and Blue”). According to the text accompanying the exhibition, linking works in accordance with colour “allows for a level of visual cohesion, while retaining the conceptual and aesthetic diversity that defines Queen Street Studios”. Ordinarily white, in a gallery context, inhabits the space between works. In this show however you become strangely aware of the normally silent walls. In Craig Donald’s installation “Ozymandias” sections of the gallery wall are set centre stage; framed by colours that correlate in other drawings and paintings within the installation. You become aware of the void.

Nightfall - amplissium terrarum tractum

David Godbold

Golden Thread Gallery, Belfast

03/02/18 - 10/03/18

This group exhibition by David Godbold in the Golden Thread Gallery really was a stunner. In gallery one, the works that give the name of the show, “Nightfall - Amplissium terrarum tractum” takes up an entire wall. Consisting of 116 framed drawings and a wall drawing in neon, I found myself getting drawn into the gorgeous and witty drawings usually accompanied with text loaded with humour and a certain political sting. Then all of a sudden I would walk backwards, trying to take in the sheer audacious scale of the work as a whole. I was especially taken by the drawing with the text "Infamy, infamy, everybody’s got it in for me” - a one liner from “Carry on Cleo” which my dad regularly cries aloud. Gallery two sees landscapes, beautifully painted and paired off with one in daylight and the other at night. Showing these romantic locations at different times of the day means you can never fully see the region in its entirety.

Future Perfect - Contemporary Art from Germany

Curated by Angelika Stepken and Philipp Ziegler

The Model, Sligo

06/05/18 - 01/07/18

During a summer break down to Sligo it would have been rude not to visit some of the galleries. This travelling group show did not disappoint. Sixteen artists envision and speculate about the future and reflect on the promises it could bring. The installation of Nora Schultz called “Discovery of the Primitive” reminded me of a transportable monolith like the one in Stanley Kubrick’s “2001: A Space Odyssey”. Schultz gathers found objects from around her Berlin studio to assemble these delicate structures that also double as printmaking stations. It dominated the room and sticks in the memory. Antje Majewski’s paintings were impressive in scale and in detail. The lengthy title “Decorative element that once adorned a passage leading to a shrine” was a large circular painting consisting of smaller overlapped orbs of differing gold and green. The same ‘decorative element’ makes a cameo in the even larger painting - more akin to history painting of old. “The Donation” sees a large group of people witnessing an exchange in what looks like a gallery with warped dimensions and off kilter paintings on the wall.

At the gates of the Music Palace

Alex Cecchetti

Curated by Mary Cremin

VOID Gallery, Derry-Londonderry

04/08/18 - 22/09/18

I was lucky enough to see this show on the opening night where the artist Alex Cecchetti was giving a guided tour of the works. A serial collaborator almost all of the works came to fruition as a result of Cecchetti working with musicians, dancers and singers. The first gallery was bathed in a pink light with two large copper cones suspended at the far end. If you move across the sensors musical notes are played and according to different gestures you can actually play music. Cecchetti and a dancer then played a piece of music they composed by dancing in front of the “Music Hall” installation. Gallery 2 held a sound installation entitled “Cetaceans” where a human choir sang like whales. This room was in darkness and you were encouraged to lay down and let the sounds wash over you. The third room had my favourite piece of collaborative work by Cecchetti. Oil paintings on crystal and rise paper hangs from a structure surrounding a piano meaning when people from the tour poured in and no matter where they stood they could see the works on the paper - even from the back where I stood. A synesthetic musician then sat at the piano and read the works like a sheet of music. Even by just watching the paintings you could follow the musician as they played and I found it totally engrossing. Probably the best show featuring audience participation I’ve seen.

Not Half Right

Jane McCormick

Atypical Gallery, Belfast

12/11/18 - 21/12/18

I stumbled into the Atypical gallery on my way to see the MAC international exhibition (which had incredible works by Ali Cherri, Aisling O’Beirn and the winner Nikolaus Gansterer) and hadn’t any preconceived notions what “Not Half Right” by Jane McCormick contained. What I came across was an incredibly strong practice that explores deeply personal and intimate issues in a scarily wide range of media. Medicine bottles with text and images of children replaced the label. A heart shaped box with tablets instead of chocolates resonated with me. It was humorous and darkly menacing at the same time. Is it a comment on today’s ‘there’s a pill for that’ culture, a love note to how medication has helped the artist or something else? You can’t help but bring your own experience to the work here. The self portrait drawings on what McCormick calls “useless articles and medically-related tat” are visceral, bold and expresses the frustrating and tiring nature of the “never ending search for ‘the cure’”.

RDH: 01/08/18 - 31/08/18

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01/08/18

Blog generally.

03/08/18

Work wrapped and ready.

Work wrapped and ready.

Confessional - portrait through mesh?

installational idea - structural notes on seat.  Guidelines for penance.

"The Ash Wednesday Supper" by Giordano Bruno - 1584

Michael Simpson - think of your 'style' as developing a language; coherent and your own without being stylised.

04/08/18

'Real Artists Don't Starve' by Jeff Goins

Agendas in the work?  Activism? Does it need to have a message?

CNIP Meeting in CCA Derry went really well.

CNIP Meeting in CCA Derry went really well.

At the Gates of the Music Palace by Alex Cecchetti.  Curated by Mary Cremin - VOID Derry

05/08/18

RUA works dropped off.

"As a painter you constantly want to overcome your virtuosity, but at the same time you strive for virtuosity" - Per Kirkeby

06/08/18

Bits that work and bits that don't.

Bits that work and bits that don't.

08/08/18

Been offered to show work in New York City!!!

09/08/18

Stiffen the Sinews, Summon up the blood. - King Henry in William Shakespeare's 'Henry V'

The above is written on the studio wall of Maggi Hambling (Tateshots).  Some sketching done.

11/08/18

Average Buzzard wingspan = 110 - 140cm.  Overlap red silhouette of bird with rabbit skull.  Any black in the skull should remain the red of the buzzard.  Don't overwhelm foundation of composition.

No where fast with this. Not happy with tones at the minute but it can be pulled back.

No where fast with this. Not happy with tones at the minute but it can be pulled back.

Will get a good push in the studio tomorrow.  At the same time if I rush at it, that's when it is more likely to fall apart.  If it happens, it happens..

12/08/18

On the ropes. Really badly on the ropes.

On the ropes. Really badly on the ropes.

Life-sized buzzard started.

Life-sized buzzard started.

Triggers: words, memories, looks, objects?

13/08/18

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"Happiness is like an orgasm - it doesn't really last." - Raqib Shaw

14/08/18

Reading 'Oedipus at Colonus' to get a better grip.  "...further into darkness with every step".

15/08/18

Just realised how I went about the 'Oedipus' painting in the first place ... shading down on charcoal and fix + light transparent wash to unify all the tones.  Once dry, pop in colours and detail accordingly,  How did I forget?!

16/08/18

...waiting on submission is tortuous.

17/08/18

A strange seed.

A strange seed.

Trying very hard not to get ahead of myself.

Sketchbook work.

Sketchbook work.

18/08/18

Studio shot. "A Manifold and Truly Glorious Strife" (left) brought back from the brink.

Studio shot. "A Manifold and Truly Glorious Strife" (left) brought back from the brink.

20/08/18

Roasted Crane = culinary symbol of Irish submission.  Breaking of legs before being thrown into the sea.  The Pale - area above Dublin. (beyond the pale saying). Notes from episode 2 of "Story of Ireland". 

OH DEAR.  Painful.  What a difference a day makes.  Twenty four little hours.  Three things looking good and they all come crashing down.

22/08/18

A shitty week but it will be OK.  Shouldn't have let it affect me as much as it did.  Got blindsided and took eye off longer focus and objectives.  Onward.

Trying out new things.

Trying out new things.

23/08/18

Grayson Perry's "Rites of Passage" episode on death really got to me.  A lot of people would give an arm and a leg to have that last conversation with a loved one - what they meant to you and what you mean to them - before they pass.

24/08/18

Prioritise / Lists - allow for flexibility.

25/08/18

A large (and very unfortunate) spider met it's end some time ago.

A large (and very unfortunate) spider met it's end some time ago.

Bit of an overhaul on "Procession Study" today.  Clouds were OK but too noisy.  Back and forth with it today.  Looking more like a study now.  A little looser.

Blocked in rough colours for "Afore the Stoop";

Blocked in rough colours for "Afore the Stoop";

26/08/18

Good progress on this today. Am I getting too caught up on those bloody hands and ignoring the rest of the canvas? Probably.

Good progress on this today. Am I getting too caught up on those bloody hands and ignoring the rest of the canvas? Probably.

27/08/18

'Nemo Malus nisi probetur' roughly translates to 'No one is evil until it is proven'.

28/08/18

Bank Buildings in Belfast city centre completely gutted by fire.

Above:  Some shots of the Golden Thread Gallery's two simultaneous solo exhibitions:  Travis Somerville's "Homeland Insecurity" and Ian Cumberland's "a common fiction".

"Art Practice as fictioning (or myth-science) by Simon O'Sullivan.

29/08/18

A group show in London?  GT meet up yesterday was great.  Hearing what folks have been up to and where they are going.  Some feedback from sculptural ideas from friends was positive.

"Procession Study" finished. Can a study be finished?

"Procession Study" finished. Can a study be finished?

30/08/18

Cat is missing.

31/08/18

An application was successful so there will be two solo shows - one in 2019 and one in 2020!