Vault Belfast

RDH: MARCH 2024

in , , , , , , , , ,

02/03/24

C. S. - death note. (video grab possibly)

03/03/24

‘Séance’ piece might have had its day. Setting it away for now. ‘Final Fancy Dress’ - good progress made. Tight in portrait and looser strokes in the clothing.

06/03/24

Alright - lazy / stupid. No ifs, no buts.

10/03/24

Background progress on ‘badger’ piece. ‘Séance’ has been cleansed. Just went too far. Compositionally flawed from the offset and was fighting a losing battle. Lesson learnt.

12/03/24

Didn’t get in. A bit annoyed but there is always next year.

13/03/24

Bit the bullet and took the initiative. A nice reply - now trying to not get ahead of myself.

‘Mother’ exhibition at Vault Studios.

17/03/24

Drew up F.W. on large canvas and some good tonal progress on ‘Gallery Visit’ today in the studio. Background more vibrant perhaps?

21/03/24

Golden Thread Gallery’s touring exhibition ‘How We Got To…’ in Shankhill Library.

22/03/24

‘Restraint Study’ and ‘Amy Study’ submitted. 🤞

23/03/24

Trip to Derry for VOID Arts Centre opening ‘Composting for the Future’. Harking back to projects of the past yet paving a new, more collaborative direction.

24/03/24

‘Gallery Visit’ - few tweaks, bit more blurring and hey presto - finito!

27/03/24

28/03/24

Did not make the long-list. Ah well.

30/03/24

Trip to Portaferry and a slight change in plans for Sunday. Back to the studio all being well next week!

RDH: OCTOBER 2023

in , , , , , , , , , ,

01/10/23

Three white rabbits.

Studio: ‘Passive Study’ going well - bouncing between the brush and the drawing mark. It’s always interesting to see which of the two (if any at all) comes to the fore.

“A Brush With… Sarah Lucas”

‘A Séance in London’ - slowly building layers but, more importantly, working through structure and composition. Very early days.

03/10/23

Anxiety overload!

05/10/23

WOW! Can’t remember a late night art quite like this one in a very long time. Belfast was buzzing!

09/10/23

Put the bloody phone DOWN!

11/10/23

Quick sketch of artist Amy Higgins. Ideas brewing.


12/10/23

Easy to say, but difficult to implement.

In transit

15/10/23

Studio - A.H. portrait study: A good start. There was one point where the charcoal became a little too much but thankfully it wasn’t difficult to rectify. Just before adding the last layer of charcoal, all the previous drawing marks were pushed back with just the paint taking the stage. Some nice areas of tonal quality but overall the image was flat. You would think that adding a charcoal line would make it even more flat in appearance but the opposite is the case! The crux of it - that interplay between the drawing line and the painting mark.

17/10/23

Second straight day of jury service but on the flip side, a good chance to see Kwok Tsui’s new exhibition in the CCA.

18/10/23

QSS - ‘Messy Business’. Great group painting show.

21/10/23

…worth sticking foot in the door.

22/10/23

Studio time. A long session but very little to show for it. Slow progress on all fronts. Perhaps working on multiple pieces (four canvases) is biting a little more off than I can chew?

Setting a couple of pieces off to the side for a while should make it more manageable. It probably hasn’t helped that the palette is in a poor state and needs cleaned badly. Not a complete loss of a day but it could’ve been a lot more fruitful. Several factors at play but, lesson learned.

Palette given a good scrub before finishing up.

25/10/23

Dublin - too dark to write on the bus down - too dark to write on the bus home. The Autumn evenings are here.

Atoosa Pour Hosseini’s ‘The Magic Circle’ in Temple Bar Gallery + Studios is excellent. Remnants of vintage horror films in the video piece.