Hazel O'Sullivan

RDH: MAY 2024

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02/05/24

Late Night Art Belfast

A busy busy night!

05/05/24

Added crow / plague mask to soldier’s face. Not sure where, if anywhere, it’s going to go. Ran it’s course perhaps? Palette cleansed.

…action painting?

08/05/24

“Gallery Visit” showing in ArtFest 3!

Just because you can do something doesn’t mean you should.

09/05/24

Would be good to start thinking about plan…

10/05/24

12/05/24

Drawings to acetate. Cuprinol spillage - use to benefit? Bleached out wartime work - it reached the end. So, today in the studio - rather than painting… worked on drawing up new canvases. NB: Paint needed through the week.

Three works started - went for a dander in a thundery downpour holding a couple of the new canvases over my head. Letting the heavy raindrops move the unfixed charcoal. Funny, the momento mori could have done with a few more and the ‘Tesla’ a little less. HINDSIGHT!

Studio Shot - 12/05/24

12/05/24

Hold the family close. Bus decompress time.

18/05/24

19/05/24

20/05/24

If you’re going to do something, do it right!

26/05/24

“Week in Art” Mona Lisa interview really interesting. “The living earth”.

“Talk Art” Shaqúelle Whyte.

Solid progress. No titles as yet - Hindsight? Could work for all three really.

29/05/24

Dublin.

It’s always sunny in Dublin.

RDH: OCTOBER 2023

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01/10/23

Three white rabbits.

Studio: ‘Passive Study’ going well - bouncing between the brush and the drawing mark. It’s always interesting to see which of the two (if any at all) comes to the fore.

“A Brush With… Sarah Lucas”

‘A Séance in London’ - slowly building layers but, more importantly, working through structure and composition. Very early days.

03/10/23

Anxiety overload!

05/10/23

WOW! Can’t remember a late night art quite like this one in a very long time. Belfast was buzzing!

09/10/23

Put the bloody phone DOWN!

11/10/23

Quick sketch of artist Amy Higgins. Ideas brewing.


12/10/23

Easy to say, but difficult to implement.

In transit

15/10/23

Studio - A.H. portrait study: A good start. There was one point where the charcoal became a little too much but thankfully it wasn’t difficult to rectify. Just before adding the last layer of charcoal, all the previous drawing marks were pushed back with just the paint taking the stage. Some nice areas of tonal quality but overall the image was flat. You would think that adding a charcoal line would make it even more flat in appearance but the opposite is the case! The crux of it - that interplay between the drawing line and the painting mark.

17/10/23

Second straight day of jury service but on the flip side, a good chance to see Kwok Tsui’s new exhibition in the CCA.

18/10/23

QSS - ‘Messy Business’. Great group painting show.

21/10/23

…worth sticking foot in the door.

22/10/23

Studio time. A long session but very little to show for it. Slow progress on all fronts. Perhaps working on multiple pieces (four canvases) is biting a little more off than I can chew?

Setting a couple of pieces off to the side for a while should make it more manageable. It probably hasn’t helped that the palette is in a poor state and needs cleaned badly. Not a complete loss of a day but it could’ve been a lot more fruitful. Several factors at play but, lesson learned.

Palette given a good scrub before finishing up.

25/10/23

Dublin - too dark to write on the bus down - too dark to write on the bus home. The Autumn evenings are here.

Atoosa Pour Hosseini’s ‘The Magic Circle’ in Temple Bar Gallery + Studios is excellent. Remnants of vintage horror films in the video piece.