RDH: JULY 2023

02/07/23

TALK ART: TIM STONER

“When you are a mature artist, you’re not a mature painter”

Edward Hopper

“Process of Catharsis”.

“The world can only be grasped by action, not by contemplation. The hand is more important than the eye… The hand is the cutting edge of the mind.”

from ‘The Ascent of Man’ by Jacob Bronowski

Really good going with “In a Huff” today. Yellow a little acidic maybe and the t-shirt needs refining - but not to the point of going too tight with it.

06/07/23

Matthew Wilson at Threshold, Belfast

Katharine Paisley at Threshold, Belfast

Allison Maria Rodriguez at DAS, Belfast

09/07/23

‘A Brush with… Jeremy Deller’

“In a Huff” - muted the floor; slightly less acidic and lightened the background / walls. T-Shirt texture is troublesome so pared it back to jostle with it another day.

“Put it Away” - background darkened and textured up. Happy little accidents like the dripping on the skin and around the mouth. Have kept them there for now. Perhaps veil them at a later layering stage.

The lighter hair is going to be a challenge and at this point it’s rough as hell

but

I’m looking forward to tackling it again. I feel this may be a case of slowly working in between a few days of drying time. The open hand is a headache because the source image is so bleached out with light that it looks flat. COUNTER THIS.

11/07/23

A few days off.

LATE NIGHT SKETCHING!

13/07/23

Palette cleaned and two new canvases drawn up. Essentially getting ready for Sunday/Monday painting session.

Noticed something when looking through acetate sources. Initials. Lots and lots of initials. Subconsciously adding? Especially ‘A’. If you look at the drawings (and by proxy the paintings too as I try to keep elements of the drawing mark there too) they are there from the get go. Food for thought.

15/07/23

… submitted …

16/07/23

Thought better of putting paint out for a morning studio session. Decided to focus on pushing the drawing and tonal elements of the two new canvas works instead. Full day in the studio tomorrow. Best not throwing that away!

17/07/23

The bones of Orestes.

A really good day in the studio. “In a Huff” finished and more progress on “Put it Away”. Also some layering and groundwork done on the two new pieces. More of this please!

19/07/23

Take own advice.

22/07/23

Oppenheimer = outstanding.

23/07/23

A solid six hours in the studio. Good momentum on large piece - still no title (but worked from an image of Marina Ginestà). An enjoyable birthday weekend.

27/07/23

… preselection…

30/07/23

Not feeling it today. That does not mean that you simply walk away from studio. Grind it out. Do something! Will set ‘Marina’ aside and work on “Put it Away” instead.

See what happens if you stick it out!? Finished this painting even though head was not in it today at all. Yes, the guts of it was done and it just needed refined in certain areas. There’s a level of satisfaction to be had when you accomplish something that is usually the bread and butter stuff when you’re not in the zone. Makes it sweeter somehow.

2021 in Pictures

January

Frozen Lake in Hillsborough

"Shock" - first finished work of the year

Studio shot - all three works would be abandoned

Sketch of female police officers

February

"Shock" on display for FirstSite show

Freshly squeezed paint

Home with a dash of snow

Back and forth on work that didn't survive

Two out of Three works survived!

March

Detail of hand - in progress

Early stages of 'On Gilded Steps' detail

Horn detail for "The Infamy of Crete"

Early Spring Studio shot

In a Huff - aged around 8

April

"On Gilded Steps" detail

Longer evenings mean longer walks.

Collecting work from 2020's RUA

Little revamp of the office/drawing space

"Gathering Thoughts" finished

Cherry Tree in full blossom

May

Layering of biplanes for "History Repeating"

Spring clean of painting storage space

Detail of "History Repeating"

Sketch from a Victorian Photo

June

Studio Shot June - with "History Repeating" on right

Three pups in a bed

Drawing from a cult 60's film still

Detail of "Moon Boy"

Ambera Wellmann at the MAC, Belfast

Maya Balcioglu at the MAC, Belfast

July

"Galamseyer" - shrub detail

Early stage of "Life is But a Dream"

A low flying balloon over the garden

Sunset over Slieve Gallion

Finished - "Galamseyer"

August

On the Cover of Geraldine O'Kane's book

Wedding Day

Detail of "Life is But a Dream"

Drawing of a dangerous individual

September

Early days of compositional juggling

First image of new addition-to-be

Memory of 1993 sketch

"Saint and Sinner" - detail of finished work

Detail of "Unimpressed" painting

Close up of "Rex Aegypti Penultimus"

Minimal sketch study

October

"Rex Aegypti Penultimus" - finished work

Cold day in the studio with multiple works

Close up of "Lady of the Manor"

Detail of large multi-imaged canvas

November

Portrait of NI exhibition in GT Gallery, Belfast

Anne Tallentire in the MAC, Belfast

Took part in Platform's Salonathon show

Drawing up a new batch of canvases

"The Doctor will See you Now" - Finished

Eva Rothschild in VOID, Derry

“Tilt [At Windmills]” exhibition in CCA, Derry

Three paintings at different stages

December

John Rainey in Naughton Gallery, Belfast

Array Collective welcoming the Solstice

"Label"

"Under Surveillance"

RDH: OCTOBER 2021

02/10/21

Point of order today: DO NOT OVER PAINT!!!

Think “Rex Aegypti Penultimus” is finished.

05/10/21

VAI GET TOGETHER 2021

Rediscovering private and personal spaces / rituals.

06/10/21

Chanelle Walshe - self organised self-curation.

Duc Van Pham - Breaking down the figures - is this a way of adjusting / adding narrative?

Keynote: Christian Jankowski - “The Hunt” “Casting Jesus”

Beuys - difficult.

07/10/21

Why do we put people in boxes?

Superflex - interspecies living - “Flooded McDonalds”.

10/10/21

Dosed to eyeballs so not going anywhere fast.

12/10/21

Some sketchbook studies tonight.

13/10/21

Two new canvases begun today. Little and large.

16/10/21

Strong sense of self.

Good progress in the studio today. Didn’t mean for the small one to go Holy.

20/10/21

Accepted into Platform Arts group show!

Detail of “Lady of the Manor”.

Getting there with “Lady of the Manor”.

23/10/21

Globalist cheerleading.

24/10/21

Wardrobe fiasco.

Detail of "The Doctor Will See You Now"

"Lady of the Manor" with "The Doctor Will See You Now"

“Lady of the Manor” finished.

25/10/21

Day trip to Belfast to deliver “Saint and Sinner” for Platform Arts group show.

28/10/21

HALLELUJAH!

29/10/21

Definitely been distracted lately but the blinkers need to come back on.

30/10/21

As it’s the season for it, here’s a golden oldie from 2003. This photo was taken for a GCSE Art project where my cousin Aidan dressed as the grim reaper holding a very rusty scythe. Our cat then walked along the tin roof behind him, jumped on his shoulders and then proceeded to stroll across the top of the blade. It all happened purely by chance and made for a great photo.

31/10/21

Early morning tonal work to “The Doctor Will See You Now”. Slow and steady progress but definitely best to stop when I did to give new layers a chance to dry.

Detail of work in progress - “The Doctor Will See You Now”.

Merry Halloween.

RDH: OCTOBER 2020

02/10/20

Prepping studio for visit

03/10/20

GT Reading Round returns!

-inbuilt desire to want something out of ourselves.

Atypical Studio Visit.

04/10/20

Sketchbook work.

06/10/20

MRI scan. Very loud.

Some progress on the little boy piece that was swiftly undone.

07/10/20

Studio Shot: 07/10/20

Materials ordered.

10/10/20

World Mental Health Day.

Very happy to have been asked to take part in the second day of Reimagine, Remake Replay’s mental health festival - Head and Heart.

Got a little emotional at one point but that is OK. In good company.

11/10/20

Real struggle to focus the past week. Probably the least productive day in the studio since March.

12/10/20

More work on little boy portrait.

15/10/20

Buck up ideas. Foot off the gas.

16/10/20

With new restrictions in place, there will be no Belfast visit tomorrow sadly.

17/10/20

Started two new canvases today. Not sure what’s up. For a while I thought it was the imagery that isn’t exciting enough but I don’t know anymore.

18/10/20

Some good movement on one canvas and a bit of weird experimenting on another.

21/10/20

New York Times: Rabbit Hole Podcast

(create intrigue)

22/10/20

“Silence is Golden” finished.

24/10/20

Surround Sound!

26/10/20

Painting work. (‘Misunderstood’ as a wee inside joke?)

The little go-cart piece - tougher than expected.

Two tone might be an option - like voyage home and G’OK.

27/10/20

Out of sorts.

20 paintings since March - hard to believe.

29/10/20

‘Confessional’ home safe and sound. Thanks to University of Atypical for their support and patience.

Sketchbook session

30/10/20

31/10/20

Radio Three’s Sunday Feature: Tate Modern - Exploding the Canon

With the darker evenings and the colder weather setting in, it’s not a surprise that studio time has dwindled. This shouldn’t mean that productive time goes to waste. I have been doing sketchbook work more and now is a good time to research other creative outlets.

○○○

2019 in Photos

JANUARY

Rearranging office space

Alana Barton exhibition in the Black Box, Belfast

Studio shot with works in progress

Beginnings of "Lost Woods Study"

FEBRUARY

Detail of "Ruins" in progress

Looking over the Lagan

MARCH

Bright day in the studio and re-purposing failed works

Adding text?

I popped the question and she said yes!

APRIL

Aimee Melaugh's wonderful show in the Glassworks, Derry

Leaving work in the RHA to take part in the submission process

Francis Bacon's studio in the Hugh Lane Gallery, Dublin

Visit to the Royal Academy, London

The National Gallery, London

Rousseau's Tiger in the National Gallery, London

Tate Modern, London

Peter Doig in the the Tate Modern

Self Portrait by Bonnard in the wonderful exhibition in the Tate Modern

Tate's new extension with a Franz West piece in the foreground

Doris Salcedo at IMMA

Jan with Jasper

MAY

Visiting the CCA Derry/Londonderry

Very disturbing window painting

"Ferryman" and "The Bogland Sackrace" in progress

Close up of "The Lost Woods Study"

JUNE

Taping up "The Bogland Sackrace"

Christopher James Burns' "Limbo Land" in the MAC, Belfast

Rogue at the River

JULY

Macro shot of painting skin

The smallest brush I own

Ballydugan Mill, Downpatrick

Wonderful show about Cindy Sherman on BBC Arena

AUGUST

Siblings

Sleeping Dogs

Prepping works for transit

SEPTEMBER

Mark McGreevy at the MAC, Belfast

Detail of painting in progress

Work by Craig Donald in the Goose Lane Gallery, Belfast

Still of 'Midsommar' - one of the best films I've seen this year

OCTOBER

Installing Bardo in the Ards Art Centre, Newtownards

Sandra Robinson solo show in the Ards Art Centre

Wonderful gift from Action Mental Health at the opening of Bardo

Ipod has returned!

Projecting images onto a new canvas

Visiting the RUA exhibition in the Ulster Musuem, Belfast

NOVEMBER

Fresh paint

"Helen" in progress

DECEMBER

Photo experimentation with Jan

Fog filled nights

Surprise gift wrapping

Detail of a commission in progress

RDH: JULY 2019

01/07/19

Slow but important work on “Bogland” today. Thinking a lot about Sickert.

Detail of "Bogland Sack Race"

Fast sketchbook work

It’s been a rough week but finally seeing positives.

Sketchbook time.

02/07/19

Meditate and Release.

03/07/19

Found ‘failed’ middle panel of “Pioneer Studies”. Works on it’s own merit. Must have been a weak link at the time.

Rework maybe?

04/07/19

Submission sent. A glutton for punishment.

06/07/19

Bit later in the day for studio time but spent longer tonight to make up for it.

Some texture with sawdust.

Colours are popping and really contrast from the blurred background. Still trying to maintain the mantra of “MAKE EVERY PAINTING A STUDY” but it’s hard when the focal point is a figure where it seems to be falling short.

More integration of sawdust needed? Question everything?

The smallest brush in the arsenal.

07/07/19

Didn’t get to sleep until 5am. It’s not my fault.

Crisp morning breeze. Brought a rose in.

Staring at work, the foreground, which I tolerated a few weeks ago, now seems flat. Texture, perspective and overlapping of light and shade required.

09/07/19

A.A.H.

10/07/19

Francis Bacon mask

13/07/19

Ballydugan Mill

14/07/19

Amazing day at G &N’s wedding yesterday! Trying to get a bit of studio work in now before a much needed early night!

Frustrating. Two steps forward, two steps back. No better off but not worse off either.

15/07/19

“Never mind that nobody bought them! Do them! Tell your story!”

Faith Ringgold

“He who follows is always behind.”

Paul Cézanne

16/07/19

How to get back in the creative mindset?

19/07/19

“Asking for Trouble” - pen on paper

‘What gets measured gets done’ is a quote is heard rattled around today.

20/07/19

Plenty of little niggly bits to run through. Let’s not fall into that usual trap of realism!

“I.N.A.R.P.”

Am I focusing too much on that main figure?

Right… don’t panic!

22/07/19

Strange birthday. Nothing bad, just strange.

Beautiful sketchbook from Jan.

23/07/19

Didn’t get through. Plough on!

25/07/19

Intense building.

27/07/19

Trying not to waste to so much paint. Working on “Sack Race” - shadows and sack texture.

“Ferryman”: painterly background. Leaving it early.

28/07/19

“As an artist you should be the one to sing off key.”

Nicholas Hlobo

A non-studio art day. Starting new sketchbook. Smaller sale seems to suit drawing technique. I think I came to this realisation some time ago but it must have slipped the memory.

Arena’s Cindy Sherman: #untitled was great! Chameleon. Film stills and centre pieces are still some of my favourite works.

29/07/19

“I trust you to make the narrative”

Olafur Eliasson

31/07/19

“Art can offer a chance for self examination”

Olafur Eliasson

"A Manifold and Truly Glorious Strife"

For the past few years I've been interested creating work loosely based on the works of Sophocles and in particular the plays surrounding Oedipus.  Yes there is the obvious notion of trauma involved in realising you have murdered your father and married your mother etc but this isn't really of interest.  I have started a few times to make work using imagery form an 1896 Dutch production of "Oedipus Rex" but all have fell short of what I wanted to achieve.

Louis Bouwmeester as Oedipus in a Dutch production (c.1896)

Failed Study of Oedipus from 2017

"Oedipus and the Sphinx", Gustave Moreau, 1864, The Metropolitan Museum of Art, New York

The character of Oedipus has appeared in art many times.  Some focused on the character's known genius and skills as a soldier / king to be like Moreau's "Oedipus and the Sphinx".  Renoir's take on the myth looked at the unravelling scene of when Oedipus the king emerges from his palace having blinded himself for realising his deeds.  Filled with light and energy Renoir's work is chaotic and seems to put Oedipus' kingdom of Thebes into a frenzy.

"Oedipus Rex", Pierre-Auguste Renoir, 1895, Private Collection

One painting that has a different stance comes earlier than Moreau and Renoir yet looks at later circumstances. "Oedipus Cursing His Son, Polynices" by Fuseli looks at the epic poem 'The Thebaid' where Oedipus curses his sons for disrespecting him by praying to Zeus that they (Polynices and Eteocles) died by each others hand.

"Oedipus Cursing His Son, Polynices", by Henry Fuseli, 1786, oil on canvas - National Gallery of Art, Washington, DC, USA

Polynices and Eteocles roughly translate as 'Manifold Strife' and 'Truly Glorious' respectively.  I did a small sketch a few years ago of a photo taken in 1911 of past family members from when they were children and hadn't developed it any further until it came to mind as a stand in for the two sons of Oedipus (although one is actually a little girl).  I've decided to merge the Dutch production image of Oedipus and the personal photo.

A mixing of the translations of Polynices and Eteocles serves as the working title for this painting in progress:

"A Manifold and Truly Glorious Strife"

A WORK IN PROGRESS

RDH: 01/07/18 - 31/07/18

01/07/18

Crunching numbers.

02/07/18

... feels unfinished ... sections fall apart ... a denying of illusionism ...

"The Mountain of the Heights" in progress.

03/07/18

TRAUMA PARADOX - CONCEPT

04/07/18

Shocked. Head spirals backwards.  Sketchbook work today.

05/07/18

'Bardo' - (tibetan) a state between life and death

...instead of saying "What's wrong with you?" it should be "What happened to you?"

relaxing with visual artists news sheet from VAI

1:  Emotional brain basically becomes a 'survival brain' and can hijack the conscious brain.

2:  Alarm system in brain becomes distorted and a person may become hyper vigilant.

3:  Ability to appraise the present and to learn from experience (an imbalance and a resistance to heal).

Developmental trauma takes time to heal and there are no quick fixes.

BLUE SCREEN OF DEATH!!!!

07/07/18

Lifting works from the Townhouse Gallery in Belfast.

rough sketch for an installation idea

08/07/18

A research day.

09/07/18

Studio wall

Refined some charcoal marks on the large landscape today.

10/07/18

"Traumatic Memory"

trauma - from the greek meaning 'to wound' or 'to pierce'.

11/07/18

NOTES from Psychology texts:

"...the story of trauma is one of enlightenment and forgetfulness.Knowledge gained and lost over and over. A history categorised by criticism and denial."

A tragic paradox of trauma is that one of it's primary casualties is that of truth itself.

Trauma is considered as - "an event outside the range of usual experience." (Diagnostic and Statistical Manual of Mental Disorders -III - R - 1980)

Trauma shatters the assumptive world - invincibility has gone and the world is seen as darker, chaotic, evil and dangerous.

12/07/18

Sketchbook work today.  Little steps are better than no steps at all.

13/07/18

Canvas nearly ready to go in the studio

Stretched a few canvases today.

14/07/18

detail of landscape in progress

Colours laid out and tightened back of landscape canvas.

15/07/18

;

16/07/18

"The Mountain of the Heights" in the garden.

Finished "The Mountain of the Heights" today.  Could have done more but I'm learning to let go before work is destroyed.

17/07/18

"Second hand images can create first hand emotion" - Marlene Dumas

18/07/18

A delivery of paints came today

19/07/18

"Lost Illusions" by Balzac

20/07/18

A pretty good start to my week off; I have been offered a solo show!

21/07/18

Justine McDonnell's "A Composition of She" in the Golden Thread Gallery, Belfast

First night out in Belfast in ages and we are evacuated from Laverys due to a 'fire'.

22/07/18

Stunning paintings by Elizabeth Magill at the Ulster Museum, Belfast

23/07/18

An idea for using flattened paint boxes.

Too many ideas floating around.

NB:  To loosen up before working from chosen imagery, I want to try and do some work from life beforehand.  Can't do any harm.

A five minute self portrait study

24/07/18

"The Landis Museum" exhibition at the CCA, Derry

A trip to Derry for meetings and gallery visits.

Detail of one of Colin Davidson's remarkable paintings in "Silent Testimony" at the Nerve Visual Gallery, Derry

I first saw Colin Davidson's 'Silent Testimony' three years ago in the Ulster Museum. Today it was in the Nerve Visual Gallery in Derry.  Still so powerful.  The 'us and them' mentality is nonexistent and removing divisive language and politics reveals the human suffering on all sides.  It is so important.  So glad to have seen it again.

Beginnings of a small canvas experiment

Merging two old drawing works onto a new canvas.

Have multiple little eggs going on at the moment.

Imagine... Rose Wylie on BBC iPlayer

...where presence is evident...

"I think you're a lot happier if you don't mind a bit of imperfection." - Rose Wyllie

25/07/18

The two sons of Oedipus, Polynices and Eteocles translates to "Manifold Strife" and "Truly Glorious" respectively.  Might just be the title of a new painting that's been started.

Good news: I have two works pre-selected for the Royal Ulster Academy 2018.  Fingers crossed!

26/07/18

"What's for you won't go past you."

Progress on a small painting study

TAL R on Louisiana Channel

"It's strange, but you can't make a painting without content. Content is not like solving a problem in school or university. Content much more means that you've built up enough reason to do it. And content is also shitty because if you begin to identify too much with the content then you can't move. There are too many people shouting out in the chorus. Content starts you up and you leave it behind. It doesn't mean that you remove yourself from the content but it's too cumbersome to carry along. So when I'm working, it's not mechanical at all but it's cool headed because I'm not questioning the content. I've left it behind. It's interesting to say that content is crap, but you can't live without it." - TAL R

27/07/18

Four works in progress in the studio

"A Manifold and Truly Glorious Strife" - painting in progress

Really pleased with how "A Manifold and Truly Glorious Strife" is shaping up.

"You have to create something that lives in a kind of mystery." - TAL R

28/07/18

Worked on "Rehearsal Study" today.  Played with skin tone and facial features using an air compressor to manipulate the paint. A slightly less controlled appearance.

31/07/18

So pleased to have been able to attend the iDA reception event at the Atypical Gallery in Belfast.  This website is only possible through the iDA grant from atypical and the Arts Council fo Northern Ireland so I'm extremely grateful for their continued support and guidance.  Congratulations to all the award recipients this year!

Whoever heard of a Black Artist?" on BBC iPlayer.

"Cult" - Work in Progress

This is a paint study of a sketch from seven years ago.  I came across an image of a Holy festival in Seville that dates back to the 16th Century - a long time before the Ku Klux Klan donned regalia which bares a strong resemblance.